Author: Paul Pangaro

Our official opening for the COLLOQUY 2018 Project was May 24th with 75 colleagues, students, and donors in attendance. Rick Rogers, President of CCS, and Bill Shields, Interim Provost of CCS, attended along with many faculty and staff from other departments. There is a Facebook video clip of the exhibit (4 minutes) and a “thank you” video on Facebook with reflections on Gordon Pask’s intentions and the importance of Colloquy (7 minutes)—which misses the beginning of the opening line, worth including: “Good evening everyone, friends of colloquy, colleagues, students, collaborators, generous donors, all interactive entities human and nonhuman.” (Here is the full text of delivered remarks.)

The most important “thank you” goes to TJ McLeish, who designed the full-scale replica from the historical record and created the installation in all of its dimensions (with the exception of the making of the female forms, beautifully executed by Building Brown Workshop, from TJ’s digital models).

Public promotion included a piece written by Lillien Waller with an eloquent description of the project, concluding with a beautiful quote from Amanda, one of Pask’s daughters and advisor to the project. There is a video review of the installation process, student work, and the exhibit (4 minutes). In the exhibit we also ran a video slideshow based on a paper written with TJ McLeish, containing segments on cybernetics, Pask’s prior machines, Colloquy itself and Pask’s influence on design (18 minutes).

A future post will go deep into the educational value of our project.

If you wish to come to see the installation before mid-August, please write to colloquy2018@gmail.com. But we are not quite done… Continue reading “Opening Night – Remaking COLLOQUY – Progress Update #6”

When first unveiled in 1968, Gordon Pask’s Colloquy of Mobiles, part of an exhibition in London called Cybernetic Serendipity, was a total surprise and a sensation. Nothing like it had ever been made, an immersive experience with independent mobiles in motion, competing and cooperating with each other. It’s been written about and lauded ever since.

When we unveiled our full-scale replica at MFA Interaction Design at CCS in Detroit on May 11, 2018, just standing around these figures generated surprising insights about human-machine interactions. Continue reading “Installation at CCS – Remaking COLLOQUY – Progress Update #5”

Yolanda Sonnabend. Portrait © Johnny Dewe-Mathews 1973

3D digital model

TJ McLeish and female mobile

The biggest challenge to remaking Pask’s Colloquy of Mobiles is the fabrication of the so-called “female mobiles.” Three large translucent forms, nearly 5 feet high, are extraordinary and other-worldly. They rotate and glow and react to other mobiles and to the humans moving among them with light and sound.

Equally remarkable is the rich career of their designer, Yolanda Sonnabend, who worked at the Royal Ballet in London for over 30 years. Her stage designs for the director and choreographer of the Royal Ballet involved “his more abstract” works. How fitting that she would work with Gordon Pask on the visual design of the Colloquy—for choreography it surely is. Sonnabend once said, “Design is visualization of emotions.” Her female mobiles exude emotion, for they are voluptuous, outragious, fantastical. The male mobiles designed by Pask are complementary and equally fantastical. I wish we could overhear the conversations between Pask (world-class scientist, artist) and Sonnabend (world-class stage designer, painter). Continue reading “Yolanda Sonnabend – Remaking COLLOQUY – Progress Update #4”