Colloquy Begins Journey to Paris and Centre Pompidou — Progress Update #11

TJ McLeish working with Colloquy

(Banner Image: TJ McLeish upgrading Colloquy in preparation for its heading to Europe. Perrier in tribute to Gordon Pask.)

After many weeks of toiling, master fabricator TJ McLeish has completed the mechatronic, digital hardware, and software upgrades to Colloquy 2018 in preparation for its crating and shipping to Centre Pompidou in Paris. There it will be shown in their major exhibition, MUTATIONS / CRÉATIONS 4: NEURONES / LES INTELLIGENCES SIMULÉES from 26 February through 20 April 2020.

When first created by Gordon Pask and shown in London in 1968, Colloquy of Mobiles was unlike any immersive gallery experience. Five interacting, human-scale mobiles (see photos below) held a “conversation” with each other through light and sound, exhibiting cooperation and competition. In significant ways, Pask’s “colloquy” (a “speaking together”) of mobiles from 1968 exceeds the interactivity of today’s conversational interfaces.

On the 50th anniversary of Pask’s original creation, the Colloquy 2018 Project implemented a replica faithful in appearance and behavior, while utilizing modern mechatronics and digital technology. With the success of the replica, the world-renowned Centre Pompidou requested that it become part of a major upcoming museum exhibition. Similarly, the ZKM Museum in Karlsruhe, Germany, has asked to acquire the work for their permanent collection.

1968: Gordon Pask’s Colloquy of Mobiles, London
2018: Colloquy of Mobiles Replica, Detroit

Final preparations for this future of Colloquy 2018 were completed at Omnicorp Collective Detroit this past weekend, with the help of current and former students of the MFA IxD program of the College for Creative Studies, where the project was initiated 2 years ago by McLeish and Paul Pangaro. (You can read here about replicating Pask’s original Colloquy.) A wide range of upgrades were made to improve the reliability and behaviors of the mobiles before transferring the work to Artpack Services for crating and shipping.

Continue reading “Colloquy Begins Journey to Paris and Centre Pompidou — Progress Update #11”

Design is Conversation

The paper “Cybernetics and Design: Conversations for Action” [PDF] has recently gone to print in a peer-reviewed journal. It offers a rationale for the position that design is conversation; perhaps a surprising idea, but the logic in the paper is rigorous. Cybernetics offers a foundation for 21st-century design practice, here is the core of it:

Continue reading “Design is Conversation”

What makes for a compelling interaction?

When we talk about “interaction” and “interaction design”, there is a presumption or a hope that the interactions will be valuable, interesting, engaging—maybe even stronger than all that: that the interaction will be compelling. What can make an interaction compelling? It may be helpful to look back at historically important interaction designs, so we’re not blinded by the amazing technology we have today.

Continue reading “What makes for a compelling interaction?”

Paul Pangaro, MFA Interaction Design

Paul Pangaro

Internationally recognized technology executive & educator Paul Pangaro to head CCS’s Master of Fine Arts Interaction Design program

The College for Creative Studies (CCS) has named internationally recognized technology executive and educator Paul Pangaro as Chair of its Master of Fine Arts (MFA) Interaction Design program. He joins CCS as of April 1 and will begin teaching in the fall 2015 semester. Continue reading “Paul Pangaro, MFA Interaction Design”