{"id":2626,"date":"2018-04-21T11:06:20","date_gmt":"2018-04-21T15:06:20","guid":{"rendered":"http:\/\/ccsmfa.blog\/?p=2626"},"modified":"2021-01-18T18:59:41","modified_gmt":"2021-01-18T23:59:41","slug":"revisiting-cybernetic-serendipity","status":"publish","type":"post","link":"https:\/\/pangaro.com\/designconversation\/2018\/04\/revisiting-cybernetic-serendipity\/","title":{"rendered":"Revisiting Cybernetic Serendipity"},"content":{"rendered":"
\"Portion <\/a>
Portion of Pask’s Colloquy of Mobiles <\/div> <\/div> <\/div>
\"Female <\/a>
Female form from Pask’s Colloquy of Mobiles <\/div> <\/div> <\/div> <\/div> <\/div>\n

(This post relates closely to our COLLOQUY 2018 Project<\/a>.)<\/em> In a spectacular, definitive revisiting, Jasia Reichardt, curator of the original and groundbreaking Cybernetic Serendipity<\/a> from 1968, provides a walk-through of the entire exhibition in\u00a0a new video<\/a>\u00a0from the\u00a0D.C. Art Science Evening Rendezvous<\/a> (images are from her talk<\/a>).\u00a0Jasia goes step-by-step through her exhibition at the Institute for Contemporary Arts in London.\u00a0For each major section or work, Jasia offers relevant context and description, as we might expect from a consummate curator and historian.\u00a0(Don’t miss an earlier, briefer walk-though<\/a> with more personal commentary\u00a0from 2014.)<\/p>\n","protected":false},"excerpt":{"rendered":"

In a spectacular, definitive revisiting, Jasia Reichardt, curator of the original and groundbreaking Cybernetic Serendipity from 1968, provides a walk-through of the entire exhibition in\u00a0a new video.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[13,6,7,9],"tags":[51,61,77,91],"class_list":["post-2626","post","type-post","status-publish","format-standard","hentry","category-cybernetics","category-interaction-design","category-ixd-evolution","category-pangaro","tag-colloquy-of-mobiles","tag-cybernetics-2","tag-gordon-pask","tag-interaction-design-2"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paKWzH-Gm","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/posts\/2626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/comments?post=2626"}],"version-history":[{"count":3,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/posts\/2626\/revisions"}],"predecessor-version":[{"id":3256,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/posts\/2626\/revisions\/3256"}],"wp:attachment":[{"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/media?parent=2626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/categories?post=2626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pangaro.com\/designconversation\/wp-json\/wp\/v2\/tags?post=2626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}